Marketing music campaign for Rain Retail Software

Graphic design and front-end development
My Role
UI/UX design, Front-end development, and Graphic design
Platform(s)
Web and print
Timeline
November 2019 - July 2020

TLDR
Responsibilities
Designer across all campaign touchpoints. Created the visual system. Designed and developed the microsite and email campaign. Art directed print and trade show materials.
Results
A visually unified campaign across six-plus channels, running from November 2019 through July 2020, grounded in real conversations with music shop owners.
Highlights
I set the visual direction early and built it to scale. The same style that lived on a Facebook ad held up on a NAMM billboard without modification.

The Problem

Music shop owners are running two businesses at once. Their storefront and their online store operate in silos, meaning every product update, sale, or rental has to be managed twice. That's time, money, and mental energy spent on overhead instead of selling instruments.

Rain Retail needed a campaign that could walk into NAMM and make that problem feel solved before a vendor ever signed up.

Process &  Key decisions

I was brought on as the designer for this campaign. My job was to craft a visual language that could live everywhere, from a magazine page to a trade show backdrop to someone's inbox, and still feel like one thing. Everything started with that style foundation.


Magazine Ads

A three-month run in MMR and Music and Sound Retailer, intentionally timed to overlap with the email campaign. I designed the ads to mirror the email series visually so that both channels reinforced each other.

Design System & Components

Before any deliverable went into production, I established the visual system the whole campaign would run on. Typography, color, layout rules, tone in imagery. Getting that right early meant every new asset, whether it was a postcard or a billboard, could be produced faster and still feel cohesive.

The style I set at the start held through every channel without needing to be renegotiated.

Final Experience

From the inbox to the trade show floor, every piece of this campaign looked and felt connected. A vendor could see a magazine ad in January, receive an email in February, and stop by the NAMM booth weeks later and recognize it immediately. That recognition was the design working.
Rain Music POS MMR magazine ad

Impact & Findings

Increased qualified leads
The microsite drove a 34% increase in pre-show inquiries compared to the previous year, giving the sales team warmer conversations on the floor.
Email engagement
The three-part series averaged a 27% open rate across all sends, well above the industry average for B2B software at the time.
Brand recognition
Vendors who had seen both the magazine ads and email campaign were significantly more likely to book a demo, pointing to the value of a consistent, multi-channel visual presence.

Let’s work together

I’m currently open to mid–senior UX/UI, product design, and UX engineering roles where I can own end‑to‑end experiences and work closely with engineering teams.

Email Me